The New Frontier poster presents Human’s undoubtable urge to push the envelope and face new challenges. Illustration of Fencer pointing on little Mars planet which is our next goal in space exploration refers to my fascination about the subject.
2016
Poster designed for Petit Prance (Luke) who writes short stories on his typwriter about random people he met. Part of Absurd Realities exhibition series.
2017
The poster is an impression of the National Democratic Convention hosted in Los Angeles back in 2000 where police forcibly dispersed protesting crowd, using tear gas, pepper spray and rubber bullets.
2016
Poster for Admind Agency 9th birthday designed internally. All tags are hand-drawn, also bubble speech ‘9’ in relation to the party’s theme was spray painted.
2019
The New Frontier poster presents Human’s undoubtable urge to push the envelope and face new challenges. Illustration of Fencer pointing on little Mars planet which is our next goal in space exploration refers to my fascination about the subject.
2016
One of earliest composition I designed using scanned scraps of screen print textures. Inspired by Kandinsky art.
2011
One of earliest composition I designed using scanned scraps of screen print textures. Inspired by Kandinsky art.
2011
Poster explores natural clashes of mixed techniques like litho , digital and screen print. Designed in 2016 as a tribute to Neuroshima – post apocalyptic RPG game.
2011
A poster competition with an open brief is challenging, not only because of the time and effort required to create a piece of work, but more-so attempting to understand your target audience; the curator. Curators inspire and direct future designers, influencing dreamers with their own experience. Unfortunately, this has resulted in an overload of trends and gimmicks that both blind and exacerbate what is thought of as ‘modern design’.
The poster frames a question on this issue through satirical use of Mickey Mouse-esque hands that throw the viewers gaze in one of two directions. Meaningful, or meaningless? It highlights the bottleneck of design, the trac warden of talent that calls the shots and decides what is of value and
what deserves rejection.
2016